Showing posts with label books. Show all posts
Showing posts with label books. Show all posts

Jun 18, 2009

read it, nonetheless

one book, after a long time, that i had to make an effort to get going. but i did not give up and it took exactly six weeks to be done with it. since i made the effort, i thought, i will write about it too.
this 194-page book is one continuous read, no breaks, no chapters, no segregation... the biggest drawback for a reader like me who reads a couple of chapters of a book on a day... and without this break, it was a little drudgery to go on.

but first a little background. if you have seen the link, it's clear why, though, being considered a foremost writer of the 2oth century, Woolf is a difficult read. One, the time is quite far back -- 84 years to be precise, published as it was in 1925. that however is little reason for its being difficult since the thought process is very contemporary. it is the use of language itself which is most important reason behind it being quite a toll on the reader.


i will quote a sample:

"For the great revolution of Mr. Willet's summer time had taken Peter Walsh's last visit to England. the prolonged evening was new to him. It was inspiring, rather. For as the young people went by with their despatch-boxes, awfully glad to be free, proud too, dunbly, of stepping this famous pavement, joy of a kind, cheap, tinselly, if you like, but all the same rapture, flushed their faces. They dressed well too; pink stockings; pretty shoes. They would now have two hours at the pictures. It sharpened, it refined them, the yellow-blue evening light; and on the leaves in the square shone lurid, livid -- they looked as if dipped in sea water -- the foliage of a submered city. He was astonished by the beauty; it was encouraging too, for where the returned Anglo-Indian sat by rights (he knew crowds of them) in the Oriental Club biliously summing up the ruin of the world, here was he, as young as ever; envying young people their summer time and the rest of it, and more than suspecting from the words of a girl, from a housemaid's laughter -- intangible things you couldn't lay your hands on -- that shift in the whole pyramidal accumulation which in his youth had seemed immovable..."




all the above, within quotes, is one half of a para, spanning one and a half pages. that is on the negative since today, we are more comfortable with this, the 140-character magic.


on the positive, look at the myraid streams of thought that Woolf captures, all of it in one mind -- Peter Walsh, Mrs Dalloway's ex-boyfriend, who has come for the party that she throws at her London mansion. And the 194-page novella just talks about this one day, the day of the party, from morning till night, with about 2% printed space given to dialogues.

if you are patient, read it. if you want to unravel layers of thought in a mind at any point in time, read it. if London fascinates you, read it.

May 17, 2009

fascinating tale, told well


The Mahabharat is no mean tale... it captures every single emotion of life and what strikes is its applicability to this day and time... it also has the Bhagavat Gita within its womb...
Chitra Banerjee Divakaruni is a master story teller... she weaves her logic, her viewpoint and her world view into this novel... that, of course, is the storyteller's perspective, but what one loves about this tale is its interpretation...
this is the Mahabharat from Draupadi's perspective, in her first person... and what a tale she tells... nothing is new, we have heard about the story, the various phases of her life and death... but every page is gripping and one really lays down the book after one is through...
i am not a lover of mythical tales... i would rather stay away from these... but this one was an exception.
two things struck me the most: one, Draupadi's first and unfulfilled love, Karna (and the interpretation in my mind till i read this, thanks to Nathbati Anathbath so long was that Draupadi was in love with Arjun); two and more important, that Draupadi from birth was a lady in her own right (she did not believe that women deserved any less in life)... whether the latter is a matter of Divakaruni's view, I cannot say, but i loved the novel more for that... read it, sure!

May 13, 2009

unlike any other



it takes deep deep maturity to churn out something like Mister Pip... the first confession i have to make is that, this novel is totally unlike any other i have read... it is a different writing genre altogether... it talks of a different geography, it talks of different types of people, it talks of a different lifestyle... but that is hardly what sets it apart...

Matilda, the narrator, could have been any girl, anywhere... her love for language, her love for Charles Dickens and her respect for her teacher, Mr Watts... all of this is global, perfectly identifiable... in fact, her whole relationship with her mentor could have reflections in our own lives... touching is what the description is, but nowhere mushy, nowhere gone overboard...

storytelling is an art and all do not have it... that Lloyd Jones has it in abundant measure is just the tip of the iceberg... in Matilda, he has captured a timeless individual who is not trapped by geography to appeal to anyone who loves the printed word...

my tribute to Mister Jones is that I am already on Chapter 3 of Great Expectations, the first time after I read it in school... and i can see Matilda all over... i am also retreiving so many fragments, so many bits of the story i read long back...

Apr 12, 2009

could have been better



this is Hisham Matar's first novel... written well, but could have been better, considering the fact that it had been shortlisted for the Man Booker Prize.
living in an Arab country and working with Arabs gives a distinct edge while reading Arab authors since it makes the task of understanding the way they use language and clears a lot of cloud on their thinking process... this thought stayed with me as i turned page after page of Matar's book...
the story is one of Suleiman, a nine-year-old boy who, as the protagonist is trying to make sense of the adult world around him... his parents' world, where the mother gives in to secret drinking binges, when the father is away 'on business'...
this is woven in and around with Slooma (Suleiman's nick name) friends, Kareem, the son of Ustath Rashid, who is publicly executed, for opposing the regime in power in Libya in 1979. the execution forces Slooma's mother to go and beg with a neighbour to help release her husband who is also part of the same political group...
till this story segment, the narration is detailed...
when Slooma is sent off to Cairo by his parents to help him carve out a life of better possibilities, it seemed that Matar is in a hurry to end the book... the detailed narration becomes sketchy... and somehow ends, with a touching reunion between mother and son in Cairo...
the imagery if powerful, the story is good, but narration falls short at the end...

Apr 11, 2009

a smooth glide


one of the best contemporary Indian writers in English, Jhumpa Lahiri's Unaccustomed Earth is very powerful in the images that she draws for her audience...
in this, she almost weilds a magic paintbrush and paints vividly, with a deft combination of thick and thin strokes, choosing appropriate colours as she goes on finetuning the imagery. Each of the characters, whether present in her stories or not -- Romi, for instance in the first story, from which the book derives its name, is not really present in the canvas, but is there in the readers' mind -- is most likey to remain with them for a long time.
there is a certain subtelty in Lahiri's prose, a certain hold that she establishes almost from the start over the reader which, while giving them the freedom to get inside the book and exploring the minds of each of the characters, does not let go of her/him until the book is over.
each story in this collection is on the lives of Bengali immigrants in the US. the rootlessness is stark in the second generation and is brought out by Lahiri so very clearly... here, possibly because she herself is a second generation immigrant, Lahiri can empathise so well with Kaushik and Hema (in Hema And Kaushik, a short novella, within the collection, written in a unique format) or Sudha and Rahul (the brother-sister duo in Only Goodness).
For me, the last mentioned was the best story in this collection... it brought back so many autobiographical similarities to the fore which i thought, i had simply forgotten...